Programme
    
    LABORATORY EXERCISES 1  
    
    
    students of Academy of Fine Arts:
    
    Margareta Dragicevic    
 
    Irena Kraljic     
 
     Anita Kuharic
     
 
     Petra Ladovic      
 
       Ana-Marija Pacek
      
 
        Predrag Pavic
      
 
         Nevena Pilizota
      
 
          Matea Sabic
      
 
           Vlatka Skoro
      
 
            Sanja Tarandek
      
 
             Iva Tomac
      
 
              Irena Topic
      
 
               Ivan Valusek
      
 
                Martina Vrbanic
      
 
                 Ana Zubak	
                 
    
    7 - 15 May 2008
    
  	various city locations  
    
  	
  	
  
   In cooperation with the Academy of Fine Arts in Zagreb, as part of the Academy as Laboratory project, a call was circulated to all students interested in participating. The suggestions and ideas around the subject of 'How we regret' were discussed during collective meetings, and Laboratory Exercises 1 are the result of this process. 15 students have tried their hand at different formats, from installations to urban interventions.
 
   Margareta Dragicevic 
     
 
     3rd year, educational specialisation
     
 
     installation 
     
 
     Lovacki rog passage  
   
   Photographs are hanged in a commercial passage, photographs of old parts of Zagreb that no longer exist, where new buildings, spaces, parking lots, shopping centres have been built, as well as images of reconstructions of certain parts, as a peek from the past into the future, that is, from a present that could become a nostalgic past. The chosen location - a passage - symbolises a return into the past, a time-gate, and the seclusion of the place offers the observer a discrete access.

   Irena Kraljic 
   
   2nd year, sculpture
   
   installation 
   
   
   Tram station on Frankopanska street, Tkalciceva street, Medvedgradska street, the Savska and Vodnikova crossing, Bogoviceva street, in front of Avenue Mall main entrance, in front of the entrance into the Importanne Centre, in front of the entrance into the Importanne Gallery, Ban J. Jelacic Square
    
   
    Sculpture of the city covered with a white sheet bearing the words THE CITY IS DEAD. The sheets here symbolise the deceased city. Expansion and sudden growth are turning Zagreb into a large and cold city without an identity. Thousands of lost souls rush to and from work every day, time overtaking them in their race for money, and thus thousands of "citizens" live their lives somewhere in between office, tram and market...

   Anita Kuharic 
   
	4th year, painting
   
  WHEN WE HAVE, WE REGRET, WHEN WE HAVE NOT, WE REGRET
   
   installation 
   
   
   Britanski Square
    
   
    The quantities of sweet, liquid and potable waters that life in this world depends upon are limited, and Earth's population getting more numerous. The number of clear and clean over- and underground rivers, springs from which we draw water for life, diminishes day in day out, the water becoming ever more polluted. A chair is placed beside the water-pump and on it an empty glass. The work should prompt us to rethink this problem and, by a simple act of drinking, bring awareness to the individual as a participant in this negative development.

   Petra Ladovic 
   
  3rd year, educational specialisation
   
   intervention 
   
   
  various locations
    
   
    Posters - collages, composed of statements by people of all generations expressing regret for the disappearance of the railway connecting Zagreb and Samobor, are placed on railway stations and parts of the route that Samoborcek used to travel. "We used the old Samoborcek a lot. It did get cold on the train sometimes. Still, this train was very important to us, people from Samobor Or "When cars were rare, and there was no television and similar trifles, the little train became the symbol of a Sunday out for many of Zagreb's purgers." Nostalgic pensioners associate the train with their childhoods, generations of students and adolescents express doubt, worry and mistrust towards the civic authorities who always make new promises of rebuilding the railway. Like a part of some common past, but also of a promised future, the story of the train leaves no-one indifferent.

   Ana-Marija Pacek 
   
   year, educational specialisation
   
   A CAPSULE OF FRESH AIR
   
   installation 
   
   
   Kaptol Centre 
    
   
    Shopping centres are central spaces of city life, main attractions, and as such, they are often places of hurry. The work is an interactive installation which invites passers-by to 'dive' into the construction, and thus literally reach for fresh air inside the capsule, to pause and to breathe in.

   Predrag Pavic 
   
   3rd year, educational specialisation
   
   WAITING FOR THE OPPONENT
   
   installation 
   
   
  park in front Academy of Fine Arts, Jabukovac 
    
   
    Around a sculpture representing Pablo Picasso, a boxing ring is placed, on which we read: sorry for the postmodernism. The ring symbolises an art-arena, which, in this installation, bears on its edges, like on the margins of the art-world, an apology. With this act of apologising, and by inserting the word 'postmodernism', I parody certain persons and phenomena I'm surrounded with, and the apology is sent out in their name.

   Nevena Pilizota 
   
   2nd year, painting 
   
   NEXUS
   
   poster action
   
   
various locations
    
   
    As a variant of keeping records of the contents of the Official Gazette, in public space posters become an object of perception, a means of direct informal contact an individual has with formal structures. Unlike with "ordinary" posters, the recipients of the contents of "publicly-personal" Official Gazette undoubtedly form a part of this reality, reified on recycled paper - it is they who give it corporeality which the lawgiver's animus enters.

   Matea Sabic 
   
   4th year, department of animation and new media
   
   TEXTING 
   
  poetic action 
   
   11 May 2008 at 5pm
   
   
   the Sava embankment
    
   
    I leave connecting threads that gather words from being scattered/lost in space, marking a junction, a passage (between the worlds), a focused place of needing contact. I address a friend who died a year ago. I send him a text message. He was a seafarer, so texting was often our means of exchanging thoughts and actions. I impress the act into the material of the world, as if thoughts addressed to someone thus became more real, louder, clearer, as if they will be heard, sought, met, seen.

   Vlatka Skoro
   
   3rd year, sculpture
   
   MAN WASHES FEET IN WASHBASIN / A DRUNK
   
   actions 
   
   13 and 14 May 2008 / 10am - 2pm and 8pm - 10pm 
   
   
   Ilica - Ban Jelacic Square / bars in city centre
    
   
    The initial idea is that of continually changing the space where sculptures will be exposed. With the sculpture "Man Washes Feet in Washbasin" in tow, the author starts from the Academy to the main square, where the sculpture is being placed beneath the Jelacic's statue. With the sculpture "A Drunk", the author makes a tour around several coffee shops in the city in search for a reaction, she drinks and grieves asking everyone to join them in regretting man's lethargic spirit.

   Sanja Tarandek 
   
   3rd year, educational specialisation
   
    RED CARPET
   
   intervention 
   
   
   Splavnica / Dolac market
    
   
    The red carpet stretches along the main stairway leading up to the Dolac open market. As a symbol of prestige, here the red carpet is spread out for the 'ordinary' people, the heroes of everyday surviving...

   Iva Tomac 
   
	3rd year, sculpture 
   
   A LONELY CORNER FOR REGRETTING, WHICH IT ISN'T
   
   installation 
   
   
   Kaptol Centre 
    
   
    "A veil as a symbol of isolation from the rest of the world and summing up one's life internally, aimed at making a distance from excessive pathos, clashing on the other side with total ignorance and with a need to desecrate privacy."

   Irena Topic 
   
   1st year, educational specialisation
   
   poster action
   
   
   various locations
    
   
    With this work, I wish to point to the social differences in society today, to sights I notice more and more every day as I wander the streets. On the one hand, people constantly buying new things, there are more and more shopping-centres, though still "not enough", and on the other hand there are more and more people in a poor financial state, who we see digging through garbage to earn a couple kunas selling bottles. Posters-collages seek to inspire thought on the growing social differences and the poverty that is becoming ever more present, and to express regret for such a social development and our incapability to make a change.

   Ivan Valusek 
   
   3rd year, sculpture 
   
   installation
   
   
   Roosevelt Square
    
   
    A relief will be placed in front of the Mimara museum. The work is based on the relation between man and nature. The measure of man's destruction of nature will be the measure of nature's destruction of man. Amorphous forms represent the possibility that nature may fiercely react to some of the changes that humans provoke.

   Martina Vrbanic 
   
   graduate, painting
   
   FOUNTAIN 
   
   action 
   
 7 May 2008 at 10am, 9 May 2008 at 11am, 11 May 2008 at 12am
   
   
   Mandusevac, Zrinjevac, Zrtava fasizma Square
    
   
    The work is based on play and examination related to flows of motion, causes and effects. This game with boats is outcomes left over to chance, and it points to struggle and surrendering to flows, natural as well as unnatural. Paper boats represent our cruise through life, hopes or regrets for the way our city sails, that is for the way people live in it, how they follow or do not follow new circumstances, changes, how we sail all together into the new time of joining European standards. The action will be photographically documented, and will subsequently be presented in the form of a maquette.

   Ana Zubak 
   
   3rd year educational specialisation 
   
   FRAGMENTS OF (NON)EXISTENCE
   
   intervention 
   
   
   restaurant window at the National University Library
    
   
    The work is based on the reconstruction of fragments from the author's life. Starting from autobiographical elements, situated in the neighbourhood where the author spent most of her life, the work branches in two directions, towards real and unreal memories. It aims at an account of the past, as a visible and tangible present, notwithstanding its truthfulness or falsity.

Locations
In Croatian only!
 
   
   
  
  